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Hey! Am I Blue (Take 1) - Various - Rare 1920s Blues & Jazz 1923 - 1929 (CD)


Download Hey! Am I Blue (Take 1) - Various - Rare 1920s Blues & Jazz 1923 - 1929 (CD)
1998
Label: Document Records (2) - DOCD-5612 • Format: CD Compilation • Country: Austria • Genre: Jazz, Blues •


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9 thoughts on “ Hey! Am I Blue (Take 1) - Various - Rare 1920s Blues & Jazz 1923 - 1929 (CD)

  1. Find album reviews, stream songs, credits and award information for Rare 's Blues and Jazz: - Various Artists on AllMusic - /
  2. Rare s Blues & Jazz (), an album by Various Artists on Spotify We and our partners use cookies to personalize your experience, to show you ads based on your interests, and for measurement and analytics purposes.
  3. Rare 's Blues & Jazz Reissued, Import COLEMAN JAYBIRD (Artist) Used from Audio CD "Please retry" $ $ $ Audio CD, Import, Original recording reissued, January 1, — — — Audio CD — Special offers and product promotions Hey! Am I Blue (Take 1) - Clifford Hayes' Louisville Stompers Shady.
  4. Rare s Blues & Jazz () - DOCD Available on CD and Download only from The Document Records Store.
  5. Rare s Blues & Jazz - CD *NEW Format: CD Artist: Various Artists Runtime: n/a Retail Price: $ SALE PRICE: $ TRACKS Disc 1 1. Don't Mean You No Good Blues - .
  6. View credits, reviews, tracks and shop for the CD release of 15 Classic Blues Songs From The 's: Vol. 1 on Discogs.
  7. Swingin' the Blues, Vol. 1 by Various Artists (CD, Jul Wanna Dance Records) $ Nat King Cole Trio Recordings, Vol. 3 by Nat King Cole (CD, Oct Laserlight).
  8. This "16 Classic Blues Songs from the 's" CD contains some of thebest, and hardest to find, Pre-War Blues songs ever recorded. The fifth volume features "Jail House Blues" by Crying Sam Collins and 15 other classic blues songs by other great blues sings including Blind Blake, Blind Lemon Jefferson, Ida Cox, Texas Alexander, Ma Rainey, Rube Lacey and others.
  9. Oct 16,  · The blues has always played a central role in jazz music from the very beginning and is without a doubt one of the most important forms in jazz. It’s important for every jazz musician to know a good handful of blues heads, and even variations on the typical 12 bar form. The blues has so much to teach us about jazz harmony.

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